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After Tonight Page 3
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“So,” he says, leaning back toward the bar and taking a sip from his beer. Unlike me, he seems completely unfazed by our conversation. “It’s your first time at Cave. That means there are a couple things you have to do.”
“Oh, yeah?” I glance up at him. “And those would be?”
He holds up two fingers. “First, you have to dance.” I roll my eyes. “You sound like my friends. They’ve practically bullied me about getting out there.”
He shrugs. “That’s because you have to. That, and you have to get your body painted.”
“Absolutely not.”
“Why not?”
I lift an eyebrow at him. “Um, for one thing, I’m not an exhibitionist.”
He snorts. “Please—it’s not a big deal.”
I cross my arms. “You don’t think getting completely naked and prancing around in nothing but burnt umber and Prussian blue is a big deal?”
His mouth kicks up on one side. “I don’t know, Bob Ross. It doesn’t seem like all the people who get painted are completely naked. And, besides, the artists here are completely legit. Most of them own tattoo shops or work in graphic design studios by day. They do killer work.”
“Well,” I say, finishing the dregs of my second drink, “you’ve neglected to account for one minute detail.”
“And what’s that?”
“That I don’t want to get my body painted.”
Blue Eyes lets his narrowed gaze travel over my face like he can read it. I feel warm under the scrutiny—or maybe it’s just the alcohol. Or, you know, both.
“You don’t want to or you’re scared to?”
I roll my eyes.
“I’m not scared. I’m just . . . selective,” I say, tossing his word back at him. He smirks.
“Selective about what?”
“About who I let touch my body.”
“Ah.”
There’s the slightest hint of a smile on his mouth, and a flash of tongue when he licks his lips.
“While I think that’s probably good in theory,” he says, shifting to lean into my personal space again, “it seems to me like you’re just making excuses.”
“Oh, really?”
He bends in and lets his lips nearly touch my ear as he whispers, “Really.”
My heart rate kicks into high gear and I know he can tell. By the look on his face, he’s reading my body language as “ready and willing,” which would be almost accurate. Okay, totally accurate. He takes my hand, which was resting in my lap, and links it with his. He waits a few beats, examining our intertwined fingers, before speaking. When he does, his voice is quiet and a little gruff.
“That, and I’d give my right anything to see you in a little less clothing and a lot more paint.”
Oh, sweet Jesus.
Nervously, I clear my throat, then run my other hand down the perspiring side of my glass. Seconds later, I transfer it to the equally perspiring side of my face. Sure, it’s warm in here and, sure, I get flushed when I drink, but it’s more than that. This man—this stranger—is potent. Something about him makes me sweat.
And something about him makes me want to say yes.
“Okay. I’ll do it.”
The words are out of my mouth before I can take them back, but I think it’s worth it just to see the surprise morph into pleasure on the face of my new partner in crime.
“Are you sure?” He’s still grinning. “I’m mostly full of shit—you don’t have to do anything you don’t want to.”
I shrug. “I mean, it’s just paint, right? It’s not like it’s permanent.”
Man. That smile of his is like a force of nature.
“Yeah—there’s nothing about this place that’s permanent,” he says, glancing around us at the bar, then back at me. “Unless you want it to be.”
His eyes are full of something warmer than humor. Something like appreciation. Like desire. Something that makes me wonder what he’s done when he’s been here on all those nights before tonight.
“So, what about you?” We both slide forward off our stools until we’re standing toe-to-toe. I try not to teeter on Rainey’s heeled boots. “Have you ever had your body painted?”
He laughs. “You know what? I haven’t.”
“Seriously? But you just said everyone has to do that their first time.”
“I think I was more considering the first time for a woman at the club,” he says. “But, you know what? I’m game—we’ll do it together.”
“You want to get your body painted with me?”
“Honey,” he drawls, flashing that grin, “there isn’t anyone in the world I’d rather get body painted with.”
It’s my turn to laugh and I shake my head. “Oh, I bet you say that to all the ladies.”
And, because I’m an awkward mess, I attempt to gently elbow him in his side and, instead, jab him a lot harder than I intend.
“Oh, shit! God, I’m so sorry!” My hand flies to my mouth as he half doubles over. “Christ, I am an absolute disaster. Are you okay?”
I swear, I am such a spaz—more specifically, a spaz who doesn’t know CPR or the Heimlich or any other life-saving techniques. If I have to call Mystique over to come give him mouth-to-mouth, I will literally punch myself in the face.
But when straightens up to standing, I realize he’s laughing. Suddenly, he takes my hand and tugs me closer to him.
“What’s your name, beautiful?”
I blink at him. “What?”
He lets his thumb feather over my palm. “I said what’s your name?”
“I thought we weren’t supposed to—”
Quicker than you’d think possible, he moves his other hand up to cup my cheek.
“I know we’re not supposed to. But I want to.”
“Why?”
I hate the way my voice squeaks. But when his eyelids drop, hooding his gaze again, I forget all about how I sound.
I forget about everything but him.
“Because I think you’re intriguing. Because I think you’re sexy. And because I want to get to know you better.”
I bite my lip, and his eyes zero in on my mouth. I have to literally remind myself to inhale.
“Hyacinth,” I finally say. “My name’s Hyacinth.”
There’s a fire in his eyes when he smiles this time. He shifts his hand along my jaw until his thumb rests just under my bottom lip.
“Hyacinth.”
He says it quietly, slowly, it’s like he’s savoring it. Or maybe it just sounds that way to my addled brain—hell, I can hardly hear him over the beat of the music. Or maybe it’s the beat of my own heart. Who really knows anymore?
“It’s nice to meet you, Hyacinth,” Blue Eyes says as he tilts my face up to meet his gaze. “My name is Smith.”
Chapter Three
Taking Chances
“You want me to do what?”
I sort of gape at the girl in front of me, who is holding an airbrush gun in one hand and a martini glass in the other. She bats her extremely long, silver-tipped eyelashes.
“Take off your shirt,” she repeats, enunciating each word.
I glance over at Smith, who is already straddling a stool. The leather-clad girl in front of him has a gleeful look on her face. Can’t blame her, I guess. We all watch as he unbuttons his dress shirt.
Oh, for the love of all things good and holy.
He’s like a work of art—his skin is golden brown, even in the bluish light of the club, and his torso has the kind of definition you only see in commercials for exercise equipment.
Self-consciously, I glance down at the pale cleavage I’ve been flashing all night, and I want to groan. I am absolutely not removing my shirt. I’ll look like Casper the Friendly Ghost if I stand shirtless next to him. Not to mention—I mean, I really like wearing clothes. Particularly in public.
“Here’s the deal, honey,” my body artist says, leaning back to survey me. “You can leave the bra on—I can paint right over it. But if you want a masterpiece, you go
tta show some skin. Hell, this ain’t a kid’s face-painting party, you dig?”
I swallow hard. Smith is watching me over one shoulder as the other artist crouches in front of him and makes large, sweeping gestures over his torso with the airbrush.
“Hyacinth?”
God, I love the sound of my name on his lips.
“Yeah?”
“You don’t really have to do this,” he says with a smile.
But there’s a challenge hidden behind those words, and he and I both know it. Jutting my chin out, I steel my nerves and yank my sweater up over my head. I don’t have to look at my bra, because I can remember precisely which one I’m wearing—beige satin, no padding in the cups. Couldn’t be more boring.
I turn to face Smith full on, and the infuriatingly sexy smile slips off his face. There’s no mistaking the heat flaring in his eyes.
“Color me surprised,” he says quietly.
I can feel myself turning red, but I just shrug.
“I like a challenge, I guess.”
“Clearly.”
When I look at him again, his gaze is locked on my chest, and I glance down to see that my nipples have hardened, very prominently, beneath the satin cups. I desperately want to cross my arms, and I have to force them to stay at my sides.
My airbrush artist places a hand on my bare shoulder. “Turn around, lemme see you.”
I feel relief at the excuse to move from Smith’s gaze. I pivot on one heel and square my shoulders. Ms. Silver Lashes grins up at me, then I feel a blast of air across my chest.
“What the—”
“Don’t look down.” She curls an index finger under my chin and tilts my face back up. “Just let me do my work.”
Then she lowers her voice.
“I promise I’ll make you look so sexy he won’t be able to take his eyes off you—even more than he can’t already.” I open my mouth, then close it. She quirks a brow at me for permission to continue, and I just nod slowly. Her glee is immediate, and she begins to make sweeping gestures and swirling motions along my torso and shoulders. The paint itself feels like a fine mist at some points. At other times, I can only feel the air pressure from the gun.
I bite my lip and look back at Smith, who now has his arms raised with his hands interlocked behind his head. Along one forearm, I can see the muted ink of a fairly intricate tattoo. God, even his forearms are gorgeous—tan and strong, the kind you want resting at your waist and pulling you in closer. For the next few minutes, I picture scenarios that involve him sweeping me up and carrying me to safety, like if I were being attacked by killer bees or zombies or something.
“Cyn?”
I look up at the entryway and see that Carson is standing about ten feet from me, jaw dropped and eyes bulging. Behind her, Rainey looks equally gob-smacked.
“Man, I knew getting you out was a good idea, but I never thought I’d see this happen.”
Rainey pushes past Carson, who is too busy staring at my boobs to provide any sort of intelligent commentary.
“Dude.” Rainey lets her eyes slide up and down my body. “Just . . . wow.”
I tilt her a smile. “I haven’t seen it yet, so don’t spoil it.”
“I’m done—you can look now,” Silver Lashes says.
She pulls back and gestures to a full-length mirror a few feet away. I move toward it cautiously.
Please don’t look like Lady Gaga. Please don’t look like Lady Gaga . . .
I stare at my reflection in absolute awe. I don’t look like Lady Gaga. I don’t have an animal print or lightning bolts or anything else that I’ve seen painted on passersby. Instead, there’s a base of thick green grass sweeping up from my waist and curling into long stems and leaves. Then, imbedded in the green are dozens of tiny purple blossoms. They pepper my stomach and move up and over my breasts and collarbone. The ones closest to my shoulders are lighter and more golden, like there’s actual sun shining down on me.
“What kind of flowers are those?” Carson asks. I look over my shoulder and see her staring at my reflection, too.
“They’re hyacinths,” I say quietly.
Rainey is shaking her head in amazement. I turn to face the body artist, who is already motioning for the next client to sit down.
“This is beautiful—thank you.”
She grins, then sort of shrugs. “You’ve got a great name, honey. I’m glad you like my work. Tell all your friends—I’ve got a tattoo parlor over near Roland Park. You ever need some permanent ink, you come see me.”
I nod, a little dazed. My green sweater is in my hands, and I’m not sure what to do with it now. I can’t put it on over this masterpiece. I suppose I could tie it around my waist . . .
“I’ll take that.” Carson snatches the sweater from my grip. “I don’t want you to get tempted to put it back on.”
“Can I get it back when we leave? I’d rather not prance around Baltimore topless.”
She shrugs. “We’ll see—you might decide you like your new look so much, you’re willing to show it off in other venues.”
“Doubtful,” I snort.
But I take one last, lingering look into the mirror and, I have to admit, I’m more than just happy with the results of taking this risk—I’ve never felt this comfortable being exposed. I guess it’s because I’m basically covered up in a way that makes my body seem beautiful, but not showy.
“Wow.”
I can feel Smith’s breath against my bare shoulder. When I turn toward him and look down, I almost swallow my tongue.
He’s wearing his shirt now, unbuttoned and open, and his entire chest and torso are highlighted like a Greek sculpture. The body artist played up his chiseled muscles and taut stomach, adding deep shadows to emphasize each delicious line and ripple. At the center of his sternum, there’s a symbol reminiscent of the Superman S emblem. It’s in darker tones—metallic, like iron, but also sort of smoky, with curly tendrils of barbed wire coming out from every side.
“You look amazing,” he says to me.
I blink, forcing my gaze away from Smith’s pecs (which looks delicious) and his abs (which look equally delicious) and back up to his face. He quirks a smile when my eyes meet his.
“You do, too,” I say.
I try not to blush as his gaze travels over my body.
“So, that’s one thing down.” He stuffs his hands in his pockets, and his eyes move toward the entrance to the dance floor. “You want to go check the other item off your list?”
I almost laugh out loud. Little does he know I have a completely different list than the two “assignments” he’d given me at the bar.
“Are you asking me to dance?” I say, attempting to sound coy. It must work, because Smith gives me an almost-bashful shrug.
“I guess I am. You in?”
I pretend to consider his proposition, then nod. “I’d love to.” Behind me, Carson and Rainey are debating which designs they want painted on their bodies. I tug on Carson’s sleeve and, when she looks up, I motion to Smith.
“We’re going to go dance. I’ll come find you later, okay?”
She blinks at me, then her lips slide into a slow, wide smile.
“Awesome. Have a great time.” She lowers her voice. “Text us if you end up leaving.”
I can feel her gaze—really, the gazes of everyone in that room—following Smith and me as we head out of the alcove and toward the dance floor. I mean, I can’t blame them for watching—I’ve seen his ass in those jeans and I know exactly what the other women in the room are seeing. But he’s watching only me as we approach the dance floor, which is practically pulsing beneath colored lights and overactive strobes. There are dozens of bodies in various states of undress—some painted, some not—moving to the music with a kind of abandon that I’m not sure I can muster.
“You look nervous,” he says, smiling. I shrug.
“I’m usually not a big dancer, I’m—uh—not that good at it.”
“I find that hard to bel
ieve.”
He reaches out to brush my hair over my shoulder, then lets his hand slide down the back of my arm. Goose bumps erupt in the wake of his touch, and I can’t help but marvel at how his hands feel both gentle and strong.
“It’s all about rhythm,” he says.
“Which I don’t have.”
It’s Smith’s turn to shrug. “Come on—I’ll teach you.”
I give him a skeptical look, which he effectively ignores as he pulls me toward him. Our painted chests meet and his skin feels impossibly warm against mine. At first, I don’t know where to put my hands, at least until he takes both my wrists and guides them to rest on each of his shoulders. I can feel the muscles beneath his skin tense as I press my fingers into the thin fabric of his shirt.
“This is a good start,” he murmurs.
I lick my bottom lip nervously. He’s so close that I can see a faint black ring around the blue irises of his eyes. Slowly, he moves both of his hands to my waist and turns me around so that my back is against his front. The buttons of his shirt press against my back, and the ridge of his belt hits my hip. His breath fans out over my skin in variable gusts and he takes a step forward, effectively steering me through a throng of people and onto the dance floor. Once we reach the middle, he stops me, tightening his grip to hold me in place.
“Okay, bend your knees,” he says into my ear.
I feel his cheek brush against my hair and his breath coast along my neck. I have to actively choose not to shiver from his closeness—the lack of space between us makes me want to burrow further into him.
Instead, I try to relax my legs. My knees naturally flex and I lean further back into Smith’s chest. Now his hands are resting at the place where my jeans meet my lower back, and he lets them coast along the edge of my pants and come to a stop at the snap in the front.
This is right about the time I stop breathing.
“Now, dance with me.”
His hips press against mine and begin to move me along with him. The dance beat is fast and sort of hypnotic. I close my eyes and let my body follow his lead, using his movements as a template.
As our bodies come together, I try to block out my self-consciousness. I’m worried that I’m sweating too much, that my hair’s gone flat, that my lipstick has faded and has left me looking ghostly in the black-lit surroundings. I’m worried that I can’t dance as well as Smith can, and I’m worried that I’ve had too much to drink and it could hit me any second. Most of all, I’m worried that my arousal is going to block out any measure of levelheadedness that I have left.